Singing and Dancing to the Book of Mormon: Critical Essays on the Broadway Musical

Singing and Dancing to The Book of Mormon examines a cultural phenomenon, asking: What made The Book of Mormon such a success? In what ways does the work utilize established artistic traditions (musical theatre, comic tropes), but revise them to create something new? What cultural buttons does the work push in religion and world affairs? What artistic and social boundaries—and the transgression of those boundaries—give the work its edge? What is the effect of the work on particular audiences: in the theatre, in academia, in religious/Mormon studies, and beyond?